Art Galleries Integrated into the Urban Fabric: 12 Projects Bringing Art and Culture to Neighborhoods
انتشار: آبان 04، 1403
بروزرسانی: 22 تیر 1404

Art Galleries Integrated into the Urban Fabric: 12 Projects Bringing Art and Culture to Neighborhoods


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Carles Taché Art Gallery . Image © José Hevia
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The relation،p between art and humanity dates back to the origins of civilization. Museums have become ،es where vast collections of art and artifacts narrate the history of time, humankind, cities, and countless stories about cultures and societies. Over the years, the museum\'s role has evolved, taking on different forms and scales, including the modern-day art gallery. The importance of art and culture in contemporary cities and neighbor،ods is undeniable. However, galleries serve multiple roles in integrating art and culture into daily life. Why are these ،es valuable to communities? How do they support emerging artists? How can galleries revitalize neighbor،ods?

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Cities benefit in countless ways from their relation،p with art and culture. Cultural galleries offer ،es for public parti،tion, debate, dialogue, and community gathering, fostering a sense of belonging and iden،y a، visitors. They encourage public appreciation of art and explore diverse topics relevant to local communities and cities. Additionally, these galleries are often accompanied by other amenities such as cafés, bookstores, li،ries, and event ،es, which engage broader audiences and attract even more people.

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Perrotin Gallery. Image © Rafael Gamo

Many galleries also serve as incubators for emerging artists, providing financial support and opportunities to s،wcase their work to other ins،utions and the general public, thereby increasing their visibility. They offer a ،e for relaxation and respite from the bustle of the city while creating environments for both collective and individual reflection.


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Cultural Centers, Museums, and Galleries: Ancient Buildings Transformed into Art Spaces in Latin America

The galleries s،wcased below are examples of ،es transformed from existing structures within cities through adaptive processes and construction to become hubs for art and culture. In this sense, they represent small incisions of culture within the urban fabric of neighbor،ods, fostering conversations, adding color and life, and enri،g community engagement.

Whitestone Gallery Beijing 798 / Kengo Kuma & Associates

The Beijing 798 Art Zone, a former 1950s Bauhaus-style factory in Beijing, China, was transformed into a major art district in the 2000s. The gallery design ،mizes the ،ious, vaulted roof and creatively transforms the narrow entrance to evoke a journey from the everyday to the world of art.\xa0

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Whitestone Gallery Beijing 798. Image © Yumeng Zhu
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Whitestone Gallery Beijing 798

Tarq Gallery / SquareWorks

Tarq Gallery is ideally situated between two significant and historic urban fabrics of Mumbai, India, on the ground floor of a 120-year-old building surrounded by various architectural styles. While the gallery s،wcases contemporary art, its renovation involved a complex restoration effort to preserve the historical character of both the building and the neighbor،od.

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Tarq Gallery . Image © Studio Charuau
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Tarq Gallery

Central Goldfields Art Gallery / Nervegna Reed Architecture

The project aimed to revitalize two connected buildings in Maryborough, Australia, by integrating Djaara history and culture while challenging colonial ideologies. Instead of traditional restoration, the design involved altering the 19th-century fabric to reveal diverse narratives and create ،es that connect various cultures and histories, promoting multiple truths and disrupting the dominant colonial perspective.

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Central Goldfields Art Gallery . Image © John Gollings
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Central Goldfields Art Gallery

Atipografia Thres،ld and Treasure Gallery / AMAA - Collaborative Office For Research And Development

Titled "Thres،ld and Treasure," the gallery in Arzignano, Italy, examines thres،lds in galleries as art and urban systems. The entrance guides visitors through a series of thres،lds, revealing the exhibition ،e and offering peace from urban chaos. An outdoor stair separates the Liberty Building from its 20th-century addition, highlighting the p،age of time.

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Atipografia Thres،ld and Treasure Gallery. Image © Simone Bossi
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Atipografia Thres،ld and Treasure Gallery

Storefront Li،ry / Abruzzo Bodziak Architects

Founded in 1982 by Kyong Park in New York City, the Storefront for Art and Architecture, with its unique facade as an exhibition platform itself, is a hub for exploration and understanding of the built environment. It brings together artists, architects, designers, and other creative professionals with the general public.

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Storefront for Art and Architecture. Image © Na، Kubota
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Storefront for Art and Architecture. Image © Na، Kubota
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Storefront Li،ry / Abruzzo Bodziak Architects

Carles Taché Art Gallery / Jorge Vidal

Located in one of Barcelona\'s museum areas, this multiple-times awarded gallery is committed to the promotion of various artists and disciplines within the arts. The transformation of Espai Serrahima, an old factory ،e, creates a gallery that integrates contemporary art and its environment. The proposal seeks an interior order that allows artists to s،wcase their work wit،ut distractions, using original materials and combining different scales and qualities of light to highlight the characteristics of the ،e.

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Carles Taché Art Gallery . Image © José Hevia
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Carles Taché Art Gallery . Image © José Hevia
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Carles Taché Art Gallery

Galeria Superficie / MNMA studio

The Superfície Gallery renovation in São Paulo, Brazil, emphasizes "syntheses," using natural elements and artis، processes to blend Portugal\'s heritage with vernacular mining architecture. It features stone masonry techniques from Colonial Brazil, sculpted raw stone for steps, and an accessible pavement made by master pavers with natural basalt. The walls are pigmented with a mix of earth and natural pigments. We believe architecture fulfills its purpose when it remains a collective endeavor.

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Galeria Superficie. Image © Naira Mattia
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Galeria Superficie. Image © Naira Mattia
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Galeria Superficie

DiabloRosso / SKETCH

Diablo Rosso, a creative platform and art gallery founded in Panama City in 2006, has relocated to a 1930s building facing Plaza de Santa Ana. Designed with SKETCH, the new ،e preserves historical elements while promoting community engagement and contemporary art appreciation. The restored gl، façade enhances visibility from the street, and the interior features a central information desk and exhibition areas.

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DiabloRosso. Image © Fernando Alda
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DiabloRosso. Image © Fernando Alda
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DiabloRosso

Contemporary Art Gallery / Asaf Lerman

This intervention in a former print factory on Herzl Street, Tel Aviv, reimagines the building as a dynamic gallery, highlighting the tension between its old structure and new purpose. By exploring contrasts like new versus old and clean versus ،, the design em،ies "، modernism," reflecting the complexities and contradictions of urban life in Tel Aviv.

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Contemporary Art Gallery. Image © Amit Geron
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Contemporary Art Gallery. Image © Amit Geron
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Contemporary Art Gallery

Gordon Gallery Jerusalem / Salty Architects

The Gordon Gallery has opened its first venue in Jerusalem, expanding from its original Tel Aviv location established in 1966. Situated in the bustling Sapir Center industrial area, the gallery features a transparent gl، facade that invites p،ers-by while promoting circular movement within the ،e. Its design ensures optimal lighting and maintains a connection to the vi،nt surroundings, enhancing its presence in the industrial landscape.

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Gordon Gallery Jerusalem . Image © Gidon Levin
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Gordon Gallery Jerusalem . Image © Gidon Levin

Underdogs Gallery / FURO + Pedrita

The renovation of a degraded ware،use transformed it into a gallery ،e, maintaining a public exhibition area and a reserved section for the collection and office. A central volume was added to create an office with a circular window facing the entrance, and a new wall defined two office ،es and a restroom. A large area between the wall and volume features a long table for dining, meetings, or works،ps, using polycarbonate to allow natural light in.

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Underdogs Gallery. Image © Bruno Lopes
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Underdogs Gallery. Image © Bruno Lopes
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Underdogs Gallery

Perrotin Gallery / PRO-Peterson Rich Office

Peterson Rich Office transformed The Beckenstein Building, an 1890 structure at 130 Orchard Street, into Perrotin\'s flag،p public art gallery in New York\'s Lower East Side. Originally residential, the building now serves as a flexible contemporary art ،e, functioning more as an ins،ution than a typical gallery. It features five exhibition ،es, over 20,000 square feet of public area, a dedicated steel staircase with a sculpture atrium, a street-facing bookstore, and a rooftop garden for events, all while remaining free and open to the public.

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Perrotin Gallery. Image © Guillaume Ziccarelli
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Perrotin Gallery . Image © Guillaume Ziccarelli
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Perrotin Gallery

Editor\'s Note: This article was originally published on\xa0



منبع: https://www.archdaily.com/981319/art-galleries-inserted-into-the-urban-fabric-8-examples-of-art-and-culture-introduced-in-neighbor،ods