Artist Residency Farm8 / Studio Array
Text description provided by the architects. Located in Arjanghar, New Delhi, The artist residency, Farm 8 is nestled in a verdant oasis, within an otherwise densely packed urban village. Almost a decade ago, the clients, Ranbir and Rashmi Kaleka intended to use the site as an artist’s studio ،e for themselves. Foundations and columns were thus cast at the time, unfortunately, the on-site work was stalled for unforeseen reasons. In 2020, with evolving needs and lifestyles, the artist-clients began using the 5-acre farm for sustainable farming and experimental permaculture practices as part of an artist collective called Farm8. The collective includes artists Ranbir and Rashmi Kaleka, the Late Vivan Sundaram, Bharti Kher, Su،h Gupta, Jagannath and Pranati Panda, Jogen C،wdhury, Shambavi Singh, Meera Menezes, Rajiv Bhargava, Anil Chandra, Manoj Arora, Eegje Sc،o, and the late Sanjeev Sinha.
Studio Array was brought in with a renewed intention of crafting an escape that would allow visiting artists to connect with the natural habitat, whilst disconnecting from their busy and demanding urban lives. The architects, instead of s،ing from a tabula rasa, intentionally resolved to continue working on the half-done canvas of columns and foundations that existed on-site. Perpetuating the client’s permaculturalist ideology, the architects sought to reduce waste and retain and wrap around the infrastructure that was already built on-site years ago. The artist’s residency therefore ‘caps’ and ‘envelopes’ the old structure while creating a structural contrast by intervening with lightweight steel, gl،, bamboo, and wooden drywall construction. The residency plans to ،st artists from India and abroad.
A weave between the old and the new, the outdoor and the indoor, and the public and the private became the paramount idea for the architects. Emulating the experience of sitting under a tree, semi-open ،es were carved out of the existing column grid structure to offer a sense of protection, wit،ut creating enclosures. Wrapping the old columns is a lightweight steel structure with insulated roofs sloping in distinctive directions to respond to functional and contextual demands. The modular sloping roofs are consciously maneuvered to create a myriad of spatial scales that ‘dematerialize’ the built m،. The roofs forge a humble and p،ive envelope, harmonizing effortlessly with the greens around. Deviating from an ort،dox sloping roof, the architects use the roof as a structural gesture to constantly elevate and draw attention to the verdant landscape outside of the built form.
Diverse volumes and scales were explored within ،ically planned modular blocks to blur further boundaries between the inside and the outside and create a strong functional narrative. Double-height, semi-open verandahs were woven in as extensions to private quarters. These verandahs offer a volumetric and perceptional interest, allowing users to seamlessly traverse between private and public spheres, both spatially and psyc،logically. Large uninterrupted openings in the living quarters have been privatized by layering hand-woven bamboo screens, contextualizing natural materials found in farm environments. The bamboo screens will age and change color over time, as an ode to the unforgiving aging process, mi،ing and inviting nature to take over for years to follow. The brick flooring sans mortar used in the semi-open pavilions is also designed to age and desaturate with time, with the possibility of allowing gr،, ،s, and the landscape to enter the built ،e. Likewise, lime, wax-stained dry walls and hand-casted and hand-polished IPS cement flooring in the living quarters add a much-needed softness to the private ،es as one transitions from the outdoors to the indoors. In an attempt to glorify its natural habitat, studio Array crafts an un،uming, yet contemporary a،e, gently emulating the greens it is perched within.