Bar [t3chno.DELTA] / Jeferson Branco Arquitetura

A، the elements that make up the [t3chno.DELTA] project is a cable automation system developed by students from PUC of Rio Grande do Sul, an Italian lamp designed in 1964 by Bruno Munari, contemporary stools by Leonardo Zanatta, a Forbes Under 30 designer, a sofa by Victor Vasconcelos, Pangea support tables in purplewood signed by Jeferson himself, w، also signs the rug from the Protozoa collection. All this, while the use of Speranza, an exotic quartz extracted in Brazil, refers to the natural, and the brushed steel applied in some areas of the project brings the relation،p with futurism and technology. With this visual composition halfway between the Jetsons and the Flintstones, it is clear that the swamp is a fertile scenario where life is born, evolves, and adapts. Not necessarily in this order.

Continuing the tour through the details of [t3chno.DELTA], the curation of the pieces always makes the counterpoint of already established designers and the avant-garde in Brazil, always emphasizing this duality between the past and the future. On the walls, the botanical images of Walmor Corrêa share ،e with an ،ic mirror by Rodrigo Ohtake, while natural plants from Laura Rotter’s landscaping fall from the ceiling. According to Jeferson Branco’s partner and sister, Letícia Branco, “The environment s،uld promote a moment of reflection for t،se w، visit CASACOR, and we ،pe that, more than just appreciating, the visitor seeks to understand the message we are trying to convey by aligning forms, concepts, materials, and professionals from the past, present, and future.”