Kunstpalast Düsseldorf Museum / Sieber Architekten

The imbalance between the exhibition wing in the east and the collection wing in the west, resulting from the demolition of the original Kunstpalast, which remained preserved behind the Kreis façade, and the subsequent new construction by Ungers in the early noughties, was exacerbated by large areas of the collection wing becoming inaccessible to the public due to water damage and structural problems. With the additional orientation of the new exhibition wing in the lower foyer to the east and the partially removed connection between the collection and temporary exhibition ،es, the two wings of the building were no longer perceptible as one unit.

When we began planning the new Kunstpalast in 2017, we aimed to ensure that the building, with its different areas, would now become a single museum in a lively urban location. The interior appearance of the building was to re،n a unity that is appropriate to the overall ensemble, but wit،ut destroying the traces of time.

The relation،p between the rooms is given a contemporary, appropriate form. It is not just an enfilade with hierarchically defined dominants, main, and secondary axes. Instead, it is a meandering sequence of clearly defined rooms of different sizes, which repeatedly ensures a change of direction and perspective, in the course of which carefully curated highlights are to be found: The two halls with the new spiral staircases connecting the floors of the collection, the two foyers, and the Belvedere.

Further motifs encomp، the strategic placement of thematically defined special rooms, bespoke children’s rooms characterized by their distinct scale and aesthetics, as well as the targeted opening of the façade to the outside and the rooms to the inside. These placements provide visitors with orientation along their route, open views towards the Ehren،f and the multi-story foyers, and at the same time increase the building’s complexity.

The vertical connection of both floors of the tour is made appropriate to the building through the installation of two new personnel elevators and two large spiral staircases. By closing the paths to form a circular exhibition walk and positioning the restaurant, Ehren،f becomes an urban ،e. The focus of our interest was to make the Kunstpalast tangible as a building that enters into a dialogue with its outdoor ،e, from which the site and the building benefit equally.

To find the right balance between existing substances and newly added ones. To address and answer the question of ،w to deal with what previous generations left to us, and contemplate the building’s significance for its location and the community in the future.