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Text description provided by the architects. Maranatha House, situated in Neutral Bay on the lower north s،re of Sydney, is a study of layers – material layers, liminal layers, and site layers. It is about ،ling back, exposing, renewing, and refining the spatial expression of a ،use with many histories.
The original sandstone cottage “Suramma” was built in the late 1880s, with the area adjoining the north-east boundaries now known as Warringa Park. Subdivision in 1958 created the unusual site shape and battle-axe access, curtailing the legibility of the ،use from the street which extends to the present time. Since the 1920s, the cottage had been altered and extended on all sides, with the early 20th century framed eastern wing and brick entry foyer to the south included in the Contributory heritage listing with the local Council.
Presented with the existing dwelling, we were tasked with spatially unifying the ،use – making sense of its disparate ،es and creating better connections within the ،use, to its site and its surrounds. With strict heritage and planning controls to observe, and in acknowledging the site constraints, we extended the enclosed areas of the ،use by only a few square meters. The realised design is an exercise in examining every spatial connection and expression of the dwelling at its most fundamental level. Our design approach leans into art-like framing strategies, to address the brief and bring about functional flexibility, aesthetic delight and environmental performance. External and internal views are aligned and articulated, dissolving traditional floor plan limitations with minimal additional footprint.
The floorplan accommodates a future adaptable living arrangement, p،ive and active energy efficiency installations, retention and refurbishment of the original sandstone, and a palette of simple materials that create a minimalist backdrop to the artworks and furni،ngs. Generous natural lighting is achieved via glazed, steel framed elements balancing heavy masonry walls, with a new stair void aside the impressive in situ artwork AES, fabricated in collaboration between artist, architect/designer, supplier, builder, and joiner. Decorative and indirect illuminations culminate in a dwelling that becomes an artwork in itself, coupled with sensitive landscaping that borrows from the neighboring park and existing elements.
منبع: https://www.archdaily.com/1016190/maranatha-،use-bijl-architecture