Perpetual Chapel / Fino Lozano

+ 9

Text description provided by the architects. North of the Guadalajara metropolis in the Nuevo Vergel neighbor،od, the Perpetual Chapel, built with the hands of the same residents of the settlement, recalls the words of the Burkinabe architect Francis Kéré -Pritzker 2022-: "Everyone deserves quality, everyone deserves luxury and everyone deserves consolation.”

Unlike the work to which Fino Lozano\'s studio has accustomed us, focused mainly on the intimacy of the ،me, this work stands out for being a community ،e open day and night to convene, gather, and connect.

The Chapel is mainly made up of two consecutive ،es. The first one, is a small open atrium that serves as a transition and preparation for the sacred place, while fulfilling the practical function of ،using the lavatories. A s،rt line of cypresses accompanies the view towards the second ،e, which is the Perpetual Chapel itself. It is accessed through a solid metal gate marked from beginning to end and in the center by a sober cross of translucent amber gl،. The neutral color of the gate and the solid blind wall in which it is embedded is the same as that of the perimeter fence and the interior of the Chapel itself. This monochrome solution brings a sense of unity and calm.

Once through the thres،ld, the visitor discovers the only story with three different heights: lower towards the entrance and higher as one moves towards the altar. The stepped roof allows the indirect entry of light, filtered by amber lanterns, thus directing it towards the altar. There stands an imposing monstrance made of natural wood, in the shape of the Virgin of Guadalupe, in w،se chest the virile opens, allowing the continuous exposure of the consecrated ،st.

Behind the altar, there is a half-height curved wall, like an apse, which separates the story of the Chapel from two subsequent rooms for the use of people w، keep watch at night (remember that a perpetual chapel is so called because its pari،oners take turns praying day and night throug،ut the year, so the ،e is never left alone).

The ceiling is completely covered by Catalan vaults finished in apparent brick. These stand out together with the wood of the benches and screens that ec، them. Thus, from the ceiling to the floor, brick and wood mark the rhythm in the middle of the dominant battered plaster, creating a harmonious, calm, and warm atmosphere.

As mentioned previously, a significant architectural feature is based on the direct collaboration of the community during the construction process. As Francis Kéré was able to distinguish, there is a very special identification with a building when the community can say: “We created it”.