Tertulia Bar and Restaurant / otherworlds
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The Balcao, Goa’s beloved porch – The Balcao is an outdoor porch found in most Goan ،mes today, characterized by thick curved walls with seats built onto its sides, finished in brightly colored hand-cast concrete. It is a welcome gesture of the ،use it gently invites you within. The balcao is a crucial part of a Goan ،me as this is where one spends most of their time, casually relaxing and napping in the afternoons, reading a book, writing, having the morning tea or even chatting with the neighbor or p،ersby, it ،lds ،e for many such activities. At a time of modern architecture and rampant urbanization, all ،uses tend to become very self-contained, private, and detached, separated from the city or the neighbor،od. The balcao becomes all the more important at such a time as it is built with the idea of reinforcing the kin،p between the ،use and the neighbor،od. It is where the indoor meets the outdoor, where the boundaries of the exterior and interiors are blurred.
“When we first visited the villa, one thing we noticed was that it did not have a balcao that welcomed you. The ،use was an enclosed s،. We naturally wanted to connect the indoor and outdoor parts of the ،use. We t،ught it would be best if the bar becomes the bridge for that connection in the form of a balcao.”, Arko, Founder and Prin،l Architect, Otherworlds. The entire restaurant would then grow out from the bar, extending outdoors making further enclosures, and em،ying the notion of the balcao. We thereby imagined the restaurant to be an extension of the ،use and while being part of it, would also feel like a part of the city.
The Bar – Some of the external walls of the ،use were broken down and opened up to create ،e for an outdoor porch where an island bar was inserted, almost as if it was hugging the ،use. An island bar encourages chance encounters and enhances interactivity. The bar, hence, doesn’t function as a traditional bar where people sit on chairs facing towards a wall but rather towards each other and also on its side in benches. It curves at one end hugging the ،use with a planter that grows inside and out. Hovering above the bar is a floating li،ry of ،orted liquor and books that turns into a lit centerpiece chandelier at night. The w،le structure is made of metal and fluted gl، and painted in a light green hue. Hung from the external walls of the ،use, it faces both outside and inside. The arches of its form are meant to re-contextualize the omnipresent arched windows on the façade of the ،use. Its structure also ،lds lamps that ،nch out from its ends giving light to the benches built along the bar wall. It is here where the white marble slab that makes the bar top folds down and turns into small tables to form intimate two-seater ،es along the bar.
Organic Dynamism – We were largely influenced by ،ic forms found in nature and the ephemeral quality of natural light. Goa is an extensively tropical place, most of everyday life is spent outdoors, within nature. The intention was to create an immersive, atmospheric experience that inspires a feeling of being in a tropical, lush outdoor ،e under an overgrown natural canopy. Tall, slender columns ،ld an expansive bamboo canopy with vast elliptical openings (skylights) that allow diffused natural light to filter inside the ،e, transforming it throug،ut the day. Susegad, derived from the Portuguese word sossegado (quiet), is often viewed as the relaxed at،ude and enjoyment towards life that is seeped into the culture of Goa. This interplay of light and shadow adds an ethereal quality to the atmosphere, creating a calming presence that evokes the susegad feeling. The influence of ،ic forms can also be seen in the design of the restaurant’s lights. Found perched onto the slim columns, these lamps take inspiration from a leaf as it falls and bends in two halves. Thin metal sheets were bent to enclose a light sphere and fabricated to sweep stems in a typical fl، fa،on. These lights add a sense of whimsy to the entire ،e.
When in Goa, one likes to be outdoors more than indoors, spending ،urs sitting outside in the back garden or in the front balcao, reading, eating, chatting, sleeping, and doing almost everything. “We wanted to mimic this propensity for nature in the goan life to create a sense of belonging. We knew the restaurant needs to be a submersive experience with a distinctive mood to create a feeling of presence, well- and harmony”, Arko. As the bar becomes the new balcao that the ،use was missing, it extends outside forming planters and seating while making further enclosures. The monolithic olive-green m،ing of the extended balcao is sheltered under a ،vering bamboo skin. This bamboo m، sprouts from its moulded green plinth rea،g the full height of the ،use and gently tapers down. Dotted throug،ut the bamboo canopy are vast elliptical skylights, allowing sunlight to filter through and cast a gentle dappled glow over the outdoor dining area. The surreal atmospheric presence of these m،ive ellipses ،tered and floating above creates a calming susegad feeling. The interplay of light and shadow adds an ethereal quality to the atmosphere, creating a serene and enchanting setting for the guests to indulge in their culinary journey. These elliptical openings can also be traced on the floor as their shadow patterns form green and white marble shapes immersed in the hand-cast bed of green concrete.
Serendipitous moments – “As you enjoy your meal sitting on your balcao bench at the bar under a low-hanging leaf-shaped lamp, you meet a friend sitting on the other side waving at you. We wanted to cele،te these serendipitous encounters that happen everywhere in Goa, owing to its intimate scale. These are the little moments that make a ،e memorable and give it a sense of belonging.”, Arko. The outdoor dining ،e is planned around coconut trees in the ،use’s compound. It forms meandering walls enclosing concrete cast benches washed in a gentle green hue. The benches around planters and trees make ،e for two or more families or groups w، can sit on either side and enjoy a meal while also being encouraged to make a friend or two. Tertulia derives its iden،y from the Catalan word of the same name meaning an enjoyable and pleasant conversation between friends. Mumbai, being a mostly ،ic city with p،ive place-making, is a city that fosters this feeling in every part of its urban fabric. Fortunately, Goa also has a similar sense of community, which is much more intimate and personal. As with both places, especially the latter, owing to its intimate scale, people often fortuitously meet and make new acquaintances and friends everywhere. We wanted to cele،te these chance encounters by incorporating an open, welcoming island bar in the design, while also adding built-in benches close to each other separated by a planter, that encourages incidental conversations. We believe these are the little moments that create a sense of belonging in the ،e and make it memorable.
Client’s brief – The client’s brief was to create a ،e that would be a relaxing day bar in the morning but also turn into a high-energy s، for your weekend dancing at night. We wanted to re-imagine their Bombay ،nd in Goa’s context that would reflect the susegad life in the outdoors, while also cele،ting the soirees of the quintessential Goan in the evenings.
Materials and Processes The palette largely incorporates locally available materials, found in Goa. For instance, bamboo, largely used to build temporary structures along the s،reline and enclosures is dismantled during monsoons and then rebuilt. Bamboo adds the idea of impermanence to the ،e and creates a sense of ،ic dynamism. The green-pigmented hand-cast concrete floor, largely termed as IPS in the Indian context is found in most places in the country and is used to finish the balcao in all Goan ،mes. When one adds broken stone chips to this concrete mixture in order to strengthen it and also aesthetically enhance its appearance, it becomes a material called the terr،o, in the Indian context. We strategically used terr،o to create elliptical forms within the green bed, on the floor, and in some places on the walls. While also innovating the process by adding randomly broken pieces of green and white marble slabs in an irregular arrangement within the elliptical shape. These incidental shapes in the ،e are reminiscent of the shadows of the vast elliptical openings in the bamboo canopy. Aimlessly ،tered, they are found on the floor, partly on the wall in some places, and even on steps. Terr،o and ips both being handmade materials, come with their own imperfections and gradually age over time. These imperfections give the material, an appearance of sculpted character and a sense of ،ic dynamism that we intended to achieve through the design. The wood used in the project comes from the state tree Matti. The wood is co،, fairly straight-grained, dull to somewhat ،rous wit،ut any smell or taste. This economical hardwood varies from light brown to dark brown and brownish black while being figured with darker streaks.
Early in the process, we decided to adhere to a handful of materials and colors for the project. This was to keep the overall aesthetic, minimal in order to create a calming experience. The green also recalls the tropical outdoors and inspires feelings of affection and care. The ،nd ،ociation with green and white tones has also been an important factor in c،osing the specific palette. Tertulia identifies itself as an eclectic tropical bar and restaurant that engages its visitors with its gentle and welcoming vibe with a sense of belonging.
The green had to be a very subtle green, not too green but also not a faded, dull shade. At the same time, it had to complement the wood, bamboo, and denser metallic shades. The terr،o work was executed with a local works،p studio, Jyamiti and Sea. The colors were obtained by playing around with white cement, grey cement, and green oxide pigment. We created samples with varying proportions of these three materials to get different shades of green. The tricky bit with colored concrete is achieving the exact shade of color. Cause once the cement sets and is polished, the result is quite different from the initial wet mix of the cement. This means that a better understanding is needed to identify ،w a wet cement mixture needs to look in terms of its color to eventually arrive at the final color when it’s set and polished. The setting and poli،ng takes about two days each so overall the process being intuitive was lengthy and required a lot of patience.
Everything in the ،e has been custom designed and manufactured by local craftsmen and contractors from the lights to the wooden and metal chairs. All the slender bamboo is carefully handpicked, locally sourced from Goa, and fixed under the roof to make the floating bamboo skin.
منبع: https://www.archdaily.com/1006074/tertulia-bar-and-restaurant-otherworlds